{"id":616,"date":"2020-04-03T03:09:52","date_gmt":"2020-04-03T01:09:52","guid":{"rendered":"http:\/\/desamorces.org\/v3\/?p=616"},"modified":"2025-12-28T22:48:09","modified_gmt":"2025-12-28T21:48:09","slug":"avez-vous-eu-le-temps","status":"publish","type":"post","link":"https:\/\/desamorces.org\/index.php\/2020\/04\/03\/avez-vous-eu-le-temps\/","title":{"rendered":"Avez-vous eu le temps de vous organiser depuis la derni\u00e8re fois qu’on vous a vus ?"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ disabled_on=\u00a0\u00bbon|on|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ background_color=\u00a0\u00bbRGBA(0,0,0,0)\u00a0\u00bb background_enable_image=\u00a0\u00bboff\u00a0\u00bb background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat-y\u00a0\u00bb min_height_tablet=\u00a0\u00bb\u00a0\u00bb min_height_phone=\u00a0\u00bb1000px\u00a0\u00bb min_height_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding=\u00a0\u00bb50px||5px||false|false\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/desamorces.org\/v3\/wp-content\/uploads\/2020\/04\/AFFICHE_AVEZ_VOUS_EU_40x60_BD.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ custom_margin=\u00a0\u00bb||25px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.16″ background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ title_font=\u00a0\u00bb|700|||||||\u00a0\u00bb title_font_size=\u00a0\u00bb28px\u00a0\u00bb title_line_height=\u00a0\u00bb1.1em\u00a0\u00bb custom_margin=\u00a0\u00bb||26px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][\/et_pb_post_title][et_pb_divider _builder_version=\u00a0\u00bb4.16″ custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ header_3_line_height=\u00a0\u00bb1.1em\u00a0\u00bb custom_margin=\u00a0\u00bb25px||25px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n

D\u2019apr\u00e8s Anarchie en Bavi\u00e8re<\/em> de Rainer Werner Fassbinder, mise en sc\u00e8ne Thissa d\u2019Avila Bensalah<\/strong><\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb|||10px|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n

Un collectif de com\u00e9dien\u00b7nes engag\u00e9\u00b7es politiquement se r\u00e9unit autour d\u2019un texte de Fassbinder, Anarchie en Bavi\u00e8re<\/em>, pour \u00e9laborer une \u00e9tape de travail qu\u2019il\u00b7elles pr\u00e9senteront devant de potentiels programmateur\u00b7ices et financeur\u00b7ses.<\/p>\n

Anarchie en Bavi\u00e8re<\/em>, pi\u00e8ce de science-fiction na\u00efve \u00e9crite sous forme de revue, raconte la liquidation de l\u2019ordre \u00e9tabli par un groupe de r\u00e9volutionnaires et les r\u00e9actions qu\u2019elle provoque dans la population. Mais si les com\u00e9dien\u00b7nes essaient de travailler de fa\u00e7on collective et d\u00e9mocratique, toutes sortes de dysfonctionnements vont entraver la possibilit\u00e9 d\u2019obtenir une interpr\u00e9tation commune du texte : d\u00e9saccords politiques, prises de pouvoir, rapports hommes\/femmes, monopoles du savoir… Comment r\u00e9sister \u00e0 la tentation de reproduire des rapports de domination qu\u2019on combat par ailleurs ?<\/p>\n

Avez-vous eu le temps… ?<\/em> met ainsi en sc\u00e8ne les difficult\u00e9s de l\u2019engagement dans notre g\u00e9n\u00e9ration, telles que le manque de r\u00e9f\u00e9rentiel historique \u00ab positif \u00bb, la difficult\u00e9 de compter sur l\u2019autre, sur le groupe, etc. Un laboratoire du processus cr\u00e9atif qui questionne l\u2019utopie, en friction constante avec l\u2019actualit\u00e9.<\/p>\n

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background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ header_3_line_height=\u00a0\u00bb1.1em\u00a0\u00bb custom_margin=\u00a0\u00bb-28px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n

Presse<\/strong><\/h3>\n

-Cr\u00e9ation s\u00e9lectionn\u00e9e au Festival Impatience<\/em> du Th\u00e9\u00e2tre de l’Od\u00e9on en 2011<\/strong><\/span>–<\/strong><\/h3>\n

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\u00ab\u00a0La pi\u00e8ce est tellement invraisemblable que, tel un cam\u00e9l\u00e9on, elle s\u2019adapte \u00e0 l\u2019actualit\u00e9.\u00a0\u00bb<\/em>
\u00ab\u00a0L\u2019engagement est l\u00e0, frontalement, dans le th\u00e9\u00e2tre et son acuit\u00e9.\u00a0\u00bb<\/em>
\u00ab\u00a0La vigilance, un th\u00e9\u00e2tre de la vigilance, est aux postes de commande. Et son corollaire\u2009: le doute. Avec l\u2019utopie en bandouli\u00e8re<\/em>.\u00a0\u00bb<\/em>
Jean-Pierre Thibaudat – Rue89<\/a><\/span> (Janvier 2011)<\/strong><\/span><\/p>\n

\u00ab\u00a0Il ne s\u2019agit ni de cat\u00e9chisme marxiste, ni de pessimisme r\u00e9actionnaire, mais d\u2019un th\u00e9\u00e2tre critique o\u00f9 le doute n\u2019exclut pas le sens du combat.\u00a0\u00bb
\u00ab\u00a0Un spectacle qui ne parle que de l\u2019impatience de la jeunesse face \u00e0 un monde (th\u00e9\u00e2tral) vieux et bourgeois.\u00a0\u00bb<\/em>
Etienne Sorin – Evene (Juin 2011)<\/strong><\/p>\n

<\/strong><\/p>\n

<\/strong><\/p>\n

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\u00c9quipe<\/strong><\/h3>\n

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Interpr\u00e9tation<\/strong> – Ad\u00e9la\u00efde Bon, Adrien Cauchetier, Gilles Geenen, Marion Harlez-Citti, Stanislas Siwiorek, Isabelle Woussen<\/p>\n

Sc\u00e9nographie<\/strong> : Julia Kravtsova<\/p>\n

Lumi\u00e8res<\/strong>\u00a0 : Manuel Desfeux<\/p>\n

Vid\u00e9o<\/strong> : Julie Simonney<\/p>\n

Cr\u00e9ation musicale<\/strong>\u00a0– Mathieu Boccaren (El pueblo<\/em> : Sergio Ortega \/ Mathieu Boccaren), Le p\u00f4le Sud<\/em> : Louise Michel \/ Mathieu Boccaren)<\/p>\n

Collaboration chor\u00e9graphique<\/strong> – Anna Rodriguez<\/p>\n

Dramaturgie<\/strong> – Sarah Cillaire<\/p>\n

Assistanat \u00e0 la mise en sc\u00e8ne<\/strong> – Eva Peysson<\/p>\n

Costumes<\/strong> : Maria-Ad\u00e9lia et Alice Duval<\/p>\n

R\u00e9gie g\u00e9n\u00e9rale<\/strong> : Leslie Sevennier<\/p>\n

Assistanat sc\u00e9nographie, accessoiriste et r\u00e9gie plateau<\/strong> : Benjamin Gatti<\/p>\n

 <\/p>\n

Cr\u00e9dits photos : \u00a9 Alexis Berg<\/p>\n

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Dates<\/strong><\/h3>\n

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Avignon \u2013 CCAS – Festival Contre-Courant<\/td>\n16 juillet 2013<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre National de Bruxelles – Festival des Libert\u00e9s<\/td>\n25 novembre 2011<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre de l\u2019Od\u00e9on – Reprise Festival Impatiences<\/td>\n10 et 11 juin 2011<\/td>\n<\/tr>\n
Maison de l’Arbre – Montreuil<\/td>\ndu 21 au 30 janvier 2011<\/td>\n<\/tr>\n
Confluences – Festival P\u00e9ril Jeunes<\/td>\n22, 23, 24 octobre 2010<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

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Avec l’aide<\/strong> de<\/strong> : la R\u00e9gion Ile-de-France au titre de la permanence artistique et culturelle, l’aide \u00e0 la cr\u00e9ation de la SPEDIDAM, l’aide \u00e0 la cr\u00e9ation du d\u00e9partement de la Seine-St-Denis et l’accueil en r\u00e9sidence de la Maison de l’Arbre (Parole Errante – Armand Gatti).<\/strong><\/p>\n

<\/strong><\/p>\n

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\"\"\"\" \u00a0\"\"\u00a0 \u00a0\u00a0\"\"\u00a0\u00a0\"\"\"\"\"\"<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ disabled_on=\u00a0\u00bboff|off|on\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ background_color=\u00a0\u00bbRGBA(0,0,0,0)\u00a0\u00bb background_enable_image=\u00a0\u00bboff\u00a0\u00bb background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat-y\u00a0\u00bb min_height_tablet=\u00a0\u00bb\u00a0\u00bb min_height_phone=\u00a0\u00bb1000px\u00a0\u00bb min_height_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding=\u00a0\u00bb50px||5px||false|false\u00a0\u00bb collapsed=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/desamorces.org\/v3\/wp-content\/uploads\/2020\/04\/AFFICHE_AVEZ_VOUS_EU_40x60_BD.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ custom_margin=\u00a0\u00bb||25px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.16″ background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ title_font=\u00a0\u00bb|700|||||||\u00a0\u00bb title_font_size=\u00a0\u00bb28px\u00a0\u00bb title_line_height=\u00a0\u00bb1.1em\u00a0\u00bb custom_margin=\u00a0\u00bb||26px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][\/et_pb_post_title][et_pb_divider _builder_version=\u00a0\u00bb4.16″ custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ header_3_line_height=\u00a0\u00bb1.1em\u00a0\u00bb custom_margin=\u00a0\u00bb25px||25px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n

D\u2019apr\u00e8s Anarchie en Bavi\u00e8re<\/em> de Rainer Werner Fassbinder, mise en sc\u00e8ne Thissa d\u2019Avila Bensalah<\/strong><\/h3>\n

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Un collectif de com\u00e9dien\u00b7nes engag\u00e9\u00b7es politiquement se r\u00e9unit autour d\u2019un texte de Fassbinder, Anarchie en Bavi\u00e8re<\/em>, pour \u00e9laborer une \u00e9tape de travail qu\u2019il\u00b7elles pr\u00e9senteront devant de potentiels programmateur\u00b7ices et financeur\u00b7ses.<\/p>\n

Anarchie en Bavi\u00e8re<\/em>, pi\u00e8ce de science-fiction na\u00efve \u00e9crite sous forme de revue, raconte la liquidation de l\u2019ordre \u00e9tabli par un groupe de r\u00e9volutionnaires et les r\u00e9actions qu\u2019elle provoque dans la population. Mais si les com\u00e9dien\u00b7nes essaient de travailler de fa\u00e7on collective et d\u00e9mocratique, toutes sortes de dysfonctionnements vont entraver la possibilit\u00e9 d\u2019obtenir une interpr\u00e9tation commune du texte : d\u00e9saccords politiques, prises de pouvoir, rapports hommes\/femmes, monopoles du savoir… Comment r\u00e9sister \u00e0 la tentation de reproduire des rapports de domination qu\u2019on combat par ailleurs ?<\/p>\n

Avez-vous eu le temps… ?<\/em> met ainsi en sc\u00e8ne les difficult\u00e9s de l\u2019engagement dans notre g\u00e9n\u00e9ration, telles que le manque de r\u00e9f\u00e9rentiel historique \u00ab positif \u00bb, la difficult\u00e9 de compter sur l\u2019autre, sur le groupe, etc. Un laboratoire du processus cr\u00e9atif qui questionne l\u2019utopie, en friction constante avec l\u2019actualit\u00e9.<\/p>\n

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Presse<\/strong><\/h3>\n

-Cr\u00e9ation s\u00e9lectionn\u00e9e au Festival Impatience<\/em> du Th\u00e9\u00e2tre de l’Od\u00e9on en 2011<\/strong><\/span>–<\/strong><\/h3>\n

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\u00ab\u00a0La pi\u00e8ce est tellement invraisemblable que, tel un cam\u00e9l\u00e9on, elle s\u2019adapte \u00e0 l\u2019actualit\u00e9.\u00a0\u00bb<\/em>
\u00ab\u00a0L\u2019engagement est l\u00e0, frontalement, dans le th\u00e9\u00e2tre et son acuit\u00e9.\u00a0\u00bb<\/em>
\u00ab\u00a0La vigilance, un th\u00e9\u00e2tre de la vigilance, est aux postes de commande. Et son corollaire\u2009: le doute. Avec l\u2019utopie en bandouli\u00e8re<\/em>.\u00a0\u00bb<\/em>
Jean-Pierre Thibaudat – Rue89<\/a><\/span> (Janvier 2011)<\/strong><\/span><\/p>\n

\u00ab\u00a0Il ne s\u2019agit ni de cat\u00e9chisme marxiste, ni de pessimisme r\u00e9actionnaire, mais d\u2019un th\u00e9\u00e2tre critique o\u00f9 le doute n\u2019exclut pas le sens du combat.\u00a0\u00bb
\u00ab\u00a0Un spectacle qui ne parle que de l\u2019impatience de la jeunesse face \u00e0 un monde (th\u00e9\u00e2tral) vieux et bourgeois.\u00a0\u00bb<\/em>
Etienne Sorin – Evene (Juin 2011)<\/strong><\/p>\n

\n

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Repr\u00e9sentation<\/strong><\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ header_3_line_height=\u00a0\u00bb1.1em\u00a0\u00bb custom_margin=\u00a0\u00bb||25px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n\n\n\n\n\n\n\n
Avignon \u2013 CCAS – Festival Contre-Courant<\/td>\n16 juillet 2013<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre National de Bruxelles – Festival des Libert\u00e9s<\/td>\n25 novembre 2011<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre de l\u2019Od\u00e9on – Reprise Festival Impatiences<\/td>\n10 et 11 juin 2011<\/td>\n<\/tr>\n
Maison de l’Arbre – Montreuil<\/td>\ndu 21 au 30 janvier 2011<\/td>\n<\/tr>\n
Confluences – Festival P\u00e9ril Jeunes<\/td>\n22, 23, 24 octobre 2010<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

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Distribution<\/strong><\/h3>\n

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Interpr\u00e9tation – Ad\u00e9la\u00efde Bon, Adrien Cauchetier, Gilles Geenen, Marion Harlez-Citti, Stanislas Siwiorek, Isabelle Woussen<\/p>\n

Assistanat \u00e0 la mise en sc\u00e8ne – Eva Peysson<\/p>\n

Dramaturgie – Sarah Cillaire<\/p>\n

Sc\u00e9nographie – Julia Kravtsova<\/p>\n

Assistanat sc\u00e9nographie, accessoiriste et r\u00e9gie plateau – Benjamin Gatti<\/p>\n

Vid\u00e9o – Julie Simonney<\/p>\n

Lumi\u00e8re – Manuel Desfeux<\/p>\n

Musique – Mathieu Boccaren (El pueblo<\/em> : Sergio Ortega \/ Mathieu Boccaren), Le p\u00f4le Sud<\/em> : Louise Michel \/ Mathieu Boccaren)<\/p>\n

Collaboration chor\u00e9graphique – Anna Rodriguez<\/p>\n

Costumes – Maria-Ad\u00e9lia et Alice Duval<\/p>\n

R\u00e9gie – Leslie Sevennier<\/p>\n

 <\/p>\n

Cr\u00e9dits photos : \u00a9 Alexis Berg<\/p>\n

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Avec l’aide<\/strong> de<\/strong> : la R\u00e9gion Ile-de-France au titre de la permanence artistique et culturelle, l’aide \u00e0 la cr\u00e9ation de la SPEDIDAM, l’aide \u00e0 la cr\u00e9ation du d\u00e9partement de la Seine-St-Denis et l’accueil en r\u00e9sidence de la Maison de l’Arbre (Parole Errante – Armand Gatti).<\/p>\n

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\"\"\"\" \u00a0\"\"\u00a0 \u00a0\u00a0\"\"\u00a0\u00a0\"\"\"\"\"\"<\/p>\n

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D\u2019apr\u00e8s Anarchie en Bavi\u00e8re de Rainer Werner Fassbinder, mise en sc\u00e8ne Thissa d\u2019Avila BensalahUn collectif de com\u00e9dien\u00b7nes engag\u00e9\u00b7es politiquement se r\u00e9unit autour d\u2019un texte de Fassbinder, Anarchie en Bavi\u00e8re, pour \u00e9laborer une \u00e9tape de travail qu\u2019il\u00b7elles pr\u00e9senteront devant de potentiels programmateur\u00b7ices et financeur\u00b7ses. Anarchie en Bavi\u00e8re, pi\u00e8ce de science-fiction na\u00efve \u00e9crite sous forme de revue, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-616","post","type-post","status-publish","format-standard","hentry","category-en-creation"],"_links":{"self":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts\/616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/comments?post=616"}],"version-history":[{"count":122,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts\/616\/revisions"}],"predecessor-version":[{"id":7893,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts\/616\/revisions\/7893"}],"wp:attachment":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/media?parent=616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/categories?post=616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/tags?post=616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}