{"id":559,"date":"2020-04-02T03:47:44","date_gmt":"2020-04-02T01:47:44","guid":{"rendered":"http:\/\/desamorces.org\/v3\/?p=559"},"modified":"2025-12-28T22:45:58","modified_gmt":"2025-12-28T21:45:58","slug":"et-si-le-ciel-etait-vide","status":"publish","type":"post","link":"https:\/\/desamorces.org\/index.php\/2020\/04\/02\/et-si-le-ciel-etait-vide\/","title":{"rendered":"Et si le ciel \u00e9tait vide"},"content":{"rendered":"

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Film documentaire \u00e9crit et r\u00e9alis\u00e9<\/span> par Thissa d\u2019Avila Bensalah<\/strong><\/span><\/h3>\n

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[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height=\u00a0\u00bb478.4px\u00a0\u00bb custom_margin=\u00a0\u00bb||-172px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||158px||false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb|||10px|false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n

H\u00f4pital psychiatrique de Ville-Evrard.
\u00c9t\u00e9 2015.<\/p>\n

Bas\u00e9 sur des images furtivement captur\u00e9es au sein d’un h\u00f4pital psychiatrique, ce film suit Thissa d’Avila Bensalah, metteuse en sc\u00e8ne de th\u00e9\u00e2tre, qui r\u00e9alise un chantier th\u00e9\u00e2tral librement inspir\u00e9 de Libert\u00e9 \u00e0 Br\u00eame<\/em> de Rainer Werner Fassbinder avec 9 femmes et hommes en cours d’hospitalisation.<\/p>\n

Dans le r\u00f4le principal de la pi\u00e8ce de th\u00e9\u00e2tre en train de s’\u00e9crire, Annick joue Geesche, <\/em>une femme allemande du XIX\u00e8me si\u00e8cle ayant assassin\u00e9 une dizaine de ses proches. Mais qu’est-ce que faire vivre un r\u00f4le et le d\u00e9fendre quand le personnage de fiction est si proche des exp\u00e9riences v\u00e9cues ? Se posent alors une multitude de questions li\u00e9es au retentissement de l’histoire de Geesche dans la vie intime et collective de tous les acteurs et actrices. Annick, Georges, Jean-Pascal, Jean-Paul, Anne, Nordine, Felix, St\u00e9phane et Marie-Pierre interrogent tour \u00e0 tour ces imbrications entre leur vie et leur r\u00f4le th\u00e9\u00e2tralis\u00e9. Ces questionnements d\u00e9veloppent au fur et \u00e0 mesure une v\u00e9ritable r\u00e9flexion commune sur la psychiatrie, les violences patriarcales, leurs constructions soci\u00e9tales… et leurs imbrications.<\/p>\n

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\u00c9quipe<\/strong><\/span><\/p>\n

<\/span><\/p>\n

\u00c9criture et R\u00e9alisation – Thissa d\u2019Avila Bensalah<\/p>\n

Image et interviews – Marina Ziolkowski<\/p>\n

Montage – Thissa d\u2019Avila Bensalah, Ariane Heslot et Marina Ziolkowski<\/p>\n

Etalonnage – Emmanuel Noyon<\/p>\n

Mixage son – Demian Garcia<\/p>\n

Montage son – Demian Garcia et Maxence Riffault<\/p>\n

 <\/p>\n

Cr\u00e9dits photos : \u00a9 Anne Mari\u00e9tan \/\/ \u00a9 Claire Gras<\/p>\n

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Fiche technique<\/strong><\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||45px||false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n

Format 16\/9
Format tournage – HD
Son – St\u00e9r\u00e9o
Dur\u00e9e – 60 min
Couleur
VF \/ Sous-titre en anglais<\/p>\n

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Diffusion<\/strong><\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ header_3_line_height=\u00a0\u00bb1.2em\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||35px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n

Festival de Film Femmes en r\u00e9sistances – Septembre 2017<\/b><\/p>\n

Bient\u00f4t visible sur la plateforme :\u00a0 Les Mutins de Pang\u00e9e<\/a><\/p>\n

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_builder_version=\u00a0\u00bb4.16″ background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ title_font=\u00a0\u00bb|700|||||||\u00a0\u00bb title_font_size=\u00a0\u00bb28px\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][\/et_pb_post_title][et_pb_divider _builder_version=\u00a0\u00bb4.16″ custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ header_3_line_height=\u00a0\u00bb1.2em\u00a0\u00bb custom_margin=\u00a0\u00bb25px||25px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n

Film documentaire \u00e9crit et r\u00e9alis\u00e9 par Thissa d\u2019Avila Bensalah<\/strong><\/h3>\n

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H\u00f4pital psychiatrique de Ville-Evrard.
\u00c9t\u00e9 2015.<\/p>\n

Bas\u00e9 sur des images furtivement captur\u00e9es au sein d’un h\u00f4pital psychiatrique, ce film suit Thissa d’Avila Bensalah, metteuse en sc\u00e8ne de th\u00e9\u00e2tre, qui r\u00e9alise un chantier th\u00e9\u00e2tral librement inspir\u00e9 de Libert\u00e9 \u00e0 Br\u00eame<\/em> de Rainer Werner Fassbinder avec 9 femmes et hommes en cours d’hospitalisation.<\/p>\n

Dans le r\u00f4le principal de la pi\u00e8ce de th\u00e9\u00e2tre en train de s’\u00e9crire, Annick joue Geesche, <\/em>une femme allemande du XIX\u00e8me si\u00e8cle ayant assassin\u00e9 une dizaine de ses proches. Mais qu’est-ce que faire vivre un r\u00f4le et le d\u00e9fendre quand le personnage de fiction est si proche des exp\u00e9riences v\u00e9cues ? Se posent alors une multitude de questions li\u00e9es au retentissement de l’histoire de Geesche dans la vie intime et collective de tous les acteurs et actrices. Annick, Georges, Jean-Pascal, Jean-Paul, Anne, Nordine, Felix, St\u00e9phane et Marie-Pierre interrogent tour \u00e0 tour ces imbrications entre leur vie et leur r\u00f4le th\u00e9\u00e2tralis\u00e9. Ces questionnements d\u00e9veloppent au fur et \u00e0 mesure une v\u00e9ritable r\u00e9flexion commune sur la psychiatrie, les violences patriarcales, leurs constructions soci\u00e9tales… et leurs imbrications.<\/p>\n

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\u00c9quipe<\/strong><\/strong><\/h3>\n

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\u00c9criture et R\u00e9alisation – Thissa d\u2019Avila Bensalah<\/p>\n

Image et interviews – Marina Ziolkowski<\/p>\n

Montage – Thissa d\u2019Avila Bensalah, Ariane Heslot et Marina Ziolkowski<\/p>\n

Etalonnage – Emmanuel Noyon<\/p>\n

Mixage son – Demian Garcia<\/p>\n

Montage son – Demian Garcia et Maxence Riffault<\/p>\n

 <\/p>\n

Cr\u00e9dits photos : \u00a9 Anne Mari\u00e9tan \/\/ \u00a9 Claire Gras<\/p>\n

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Fiche technique<\/strong><\/h3>\n

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Format 16\/9
Format tournage – HD
Son – St\u00e9r\u00e9o
Dur\u00e9e – 60 min
Couleur
VF \/ Sous-titre en anglais<\/p>\n

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Diffusion<\/strong><\/h3>\n

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Festival de Film Femmes en r\u00e9sistances – Septembre 2017<\/b><\/p>\n

Bient\u00f4t visible sur la plateforme :\u00a0 Les Mutins de Pang\u00e9e<\/a><\/p>\n

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Film documentaire \u00e9crit et r\u00e9alis\u00e9 par Thissa d\u2019Avila Bensalah H\u00f4pital psychiatrique de Ville-Evrard.\u00c9t\u00e9 2015. Bas\u00e9 sur des images furtivement captur\u00e9es au sein d’un h\u00f4pital psychiatrique, ce film suit Thissa d’Avila Bensalah, metteuse en sc\u00e8ne de th\u00e9\u00e2tre, qui r\u00e9alise un chantier th\u00e9\u00e2tral librement inspir\u00e9 de Libert\u00e9 \u00e0 Br\u00eame de Rainer Werner Fassbinder avec 9 femmes et […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-559","post","type-post","status-publish","format-standard","hentry","category-en-creation"],"_links":{"self":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts\/559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/comments?post=559"}],"version-history":[{"count":140,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts\/559\/revisions"}],"predecessor-version":[{"id":7890,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts\/559\/revisions\/7890"}],"wp:attachment":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/media?parent=559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/categories?post=559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/tags?post=559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}