{"id":4209,"date":"2021-06-07T17:09:35","date_gmt":"2021-06-07T15:09:35","guid":{"rendered":"http:\/\/desamorces.org\/v3\/?p=4209"},"modified":"2025-12-28T22:43:53","modified_gmt":"2025-12-28T21:43:53","slug":"lepaisseur-du-cosmos","status":"publish","type":"post","link":"https:\/\/desamorces.org\/index.php\/2021\/06\/07\/lepaisseur-du-cosmos\/","title":{"rendered":"L’\u00c9paisseur du cosmos"},"content":{"rendered":"

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Texte et mise en sc\u00e8ne Thissa d\u2019Avila Bensalah<\/strong><\/h3>\n

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Partant d\u2019une tradition orale arabo-musulmane vieille de pr\u00e8s de huit cent ans, transportant la figure\u00a0 <\/span>transgressive, irr\u00e9v\u00e9rencieuse et humoristique de Nasr Eddin Hodja, de la Chine en passant par l\u2019Iran, la Turquie, la Syrie et l\u2019Alg\u00e9rie, L\u2019Epaisseur du Cosmos met en sc\u00e8ne un monde trop longtemps invisibilis\u00e9, pour interroger l\u2019Alg\u00e9rie et la France d\u2019aujourd\u2019hui dans leurs clivages entre la\u00efcit\u00e9 et conservatismes religieux.<\/p>\n

Comment cr\u00e9er un conte contemporain \u00e0 destination des croyants, des agnostiques ou des ath\u00e9es qui permette de se r\u00e9approprier une m\u00e9moire anti-dogmatique trop souvent enfouie ?<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height_tablet=\u00a0\u00bb\u00a0\u00bb min_height_phone=\u00a0\u00bb\u00a0\u00bb min_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_margin=\u00a0\u00bb||7px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n

Dates de r\u00e9sidence <\/strong>(en cr\u00e9ation)<\/h3>\n

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Th\u00e9\u00e2tre d’Auxerre<\/td>\ndu 06 au 11 f\u00e9vrier 2023<\/td>\n<\/tr>\n
Collectif 12, Mantes-la-jolie<\/td>\ndu 28 f\u00e9vrier au 11 mars 2022<\/span><\/td>\n<\/tr>\n
Th\u00e9\u00e2tre Les Passerelles, Pontault-Combault<\/td>\ndu 21 au 25 janvier 2022<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre d’Auxerre<\/td>\ndu 6 au 11 d\u00e9cembre 2021<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre de Chelles<\/td>\ndu 6 au 10 septembre 2021<\/td>\n<\/tr>\n
TAG (Th\u00e9\u00e2tre \u00e0 Grigny)<\/td>\ndu 21 au 26 juin 2021<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre Louis Jouvet<\/td>\ndu 7 au 13 juin 2021<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre d’Auxerre<\/td>\ndu 23 au 28 novembre 2020<\/td>\n<\/tr>\n
Les Passerelles, Pontault-Combault<\/td>\ndu 12 au 23 octobre 2020<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u00c9quipe\u00a0<\/strong><\/h3>\n

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Conception, \u00e9criture et mise en sc\u00e8ne<\/strong> : Thissa d\u2019Avila Bensalah<\/p>\n

Cr\u00e9ation des marionnettes<\/strong>\u00a0: Thissa d’Avila Bensalah & Michel Ocelot<\/p>\n

Sc\u00e9nographie et assistanat \u00e0 la mise en sc\u00e8ne<\/strong> : Elise Vilatte<\/p>\n

Cr\u00e9ation vid\u00e9o<\/strong> : Thissa d’Avila Bensalah assist\u00e9 d’Elise Vilatte<\/p>\n

Ecriture musicale et interpr\u00e9tation<\/strong> : Mohamed Lamouri<\/p>\n

Interpr\u00e9tation<\/strong> : Meriem Medjkane, Bellamine Abdelmalek et Tewfik Bensnoussi<\/p>\n

Costumes<\/strong> : Marta Rossi<\/p>\n

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Avec l’aide de<\/strong> : la R\u00e9gion \u00cele-de-France au titre de la permanence artistique et culturelle, l\u2019aide \u00e0 la cr\u00e9ation des Passerelles \u2013 Sc\u00e8ne de Paris-Vall\u00e9e de la Marne \u00e0 Pontault-Combault, et de Paris Vall\u00e9e de la Marne : et l\u2019aide \u00e0 la r\u00e9sidence et \u00e0 la production du Collectif 12 \u00e0 Mantes-la-Jolie, du Th\u00e9\u00e2tre d\u2019Auxerre, du Th\u00e9\u00e2tre Louise Jouvet \u2013 sc\u00e8ne conventionn\u00e9e des Ardennes \u00e0 Rethel et du TAG (Th\u00e9\u00e2tre \u00e0 Grigny).<\/span><\/p>\n

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\"\"\"\" \u00a0\"\" \"\" \"\"\"\"\"\" \u00a0<\/p>\n

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Texte et mise en sc\u00e8ne Thissa d\u2019Avila Bensalah<\/strong><\/h3>\n

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Partant d\u2019une tradition orale arabo-musulmane vieille de pr\u00e8s de huit cent ans, transportant la figure\u00a0 <\/span>transgressive, irr\u00e9v\u00e9rencieuse et humoristique de Nasr Eddin Hodja, de la Chine en passant par l\u2019Iran, la Turquie, la Syrie et l\u2019Alg\u00e9rie, L\u2019Epaisseur du Cosmos met en sc\u00e8ne un monde trop longtemps invisibilis\u00e9, pour interroger l\u2019Alg\u00e9rie et la France d\u2019aujourd\u2019hui dans leurs clivages entre la\u00efcit\u00e9 et conservatismes religieux.<\/p>\n

Comment cr\u00e9er un conte contemporain \u00e0 destination des croyants, des agnostiques ou des ath\u00e9es qui permette de se r\u00e9approprier une m\u00e9moire anti-dogmatique trop souvent enfouie ?<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height_tablet=\u00a0\u00bb\u00a0\u00bb min_height_phone=\u00a0\u00bb\u00a0\u00bb min_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb]<\/p>\n

Dates de r\u00e9sidence <\/strong>(en cr\u00e9ation)<\/h3>\n

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Th\u00e9\u00e2tre d’Auxerre<\/td>\ndu 06 au 11 f\u00e9vrier 2023<\/td>\n<\/tr>\n
Collectif 12, Mantes-la-jolie<\/td>\ndu 28 f\u00e9vrier au 11 mars 2022<\/span><\/td>\n<\/tr>\n
Th\u00e9\u00e2tre Les Passerelles, Pontault-Combault<\/td>\ndu 21 au 25 janvier 2022<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre d’Auxerre<\/td>\ndu 6 au 11 d\u00e9cembre 2021<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre de Chelles<\/td>\ndu 6 au 10 septembre 2021<\/td>\n<\/tr>\n
TAG (Th\u00e9\u00e2tre \u00e0 Grigny)<\/td>\ndu 21 au 26 juin 2021<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre Louis Jouvet<\/td>\ndu 7 au 13 juin 2021<\/td>\n<\/tr>\n
Th\u00e9\u00e2tre d’Auxerre<\/td>\ndu 23 au 28 novembre 2020<\/td>\n<\/tr>\n
Les Passerelles, Pontault-Combault<\/td>\ndu 12 au 23 octobre 2020<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u00c9quipe\u00a0<\/strong><\/h3>\n

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Conception, \u00e9criture et mise en sc\u00e8ne : Thissa d\u2019Avila Bensalah<\/p>\n

Cr\u00e9ation des marionnettes, th\u00e9\u00e2tre d\u2019ombre : Thissa d’Avila Bensalah & Michel Ocelot<\/p>\n

Sc\u00e9nographie et assistanat \u00e0 la mise en sc\u00e8ne : Elise Vilatte<\/p>\n

Cr\u00e9ation vid\u00e9o : Thissa d’Avila Bensalah assist\u00e9 d’Elise Vilatte<\/p>\n

Ecriture musicale et interpr\u00e9tation : Mohamed Lamouri<\/p>\n

Interpr\u00e9tation : Meriem Medjkane, Bellamine Abdelmalek et Tewfik Bensnoussi<\/p>\n

Costumes : Marta Rossi<\/p>\n

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Avec l’aide de<\/strong> : la R\u00e9gion \u00cele-de-France au titre de la permanence artistique et culturelle, l\u2019aide \u00e0 la cr\u00e9ation des Passerelles \u2013 Sc\u00e8ne de Paris-Vall\u00e9e de la Marne \u00e0 Pontault-Combault, et de Paris Vall\u00e9e de la Marne : et l\u2019aide \u00e0 la r\u00e9sidence et \u00e0 la production du Collectif 12 \u00e0 Mantes-la-Jolie, du Th\u00e9\u00e2tre d\u2019Auxerre, du Th\u00e9\u00e2tre Louise Jouvet \u2013 sc\u00e8ne conventionn\u00e9e des Ardennes \u00e0 Rethel et du TAG (Th\u00e9\u00e2tre \u00e0 Grigny).<\/span><\/p>\n

\n

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\"\"\"\" \u00a0\"\" \"\" \"\"\"\"\"\" \u00a0<\/p>\n

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Texte et mise en sc\u00e8ne Thissa d\u2019Avila BensalahPartant d\u2019une tradition orale arabo-musulmane vieille de pr\u00e8s de huit cent ans, transportant la figure\u00a0 transgressive, irr\u00e9v\u00e9rencieuse et humoristique de Nasr Eddin Hodja, de la Chine en passant par l\u2019Iran, la Turquie, la Syrie et l\u2019Alg\u00e9rie, L\u2019Epaisseur du Cosmos met en sc\u00e8ne un monde trop longtemps invisibilis\u00e9, pour […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-4209","post","type-post","status-publish","format-standard","hentry","category-en-creation"],"_links":{"self":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts\/4209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/comments?post=4209"}],"version-history":[{"count":103,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts\/4209\/revisions"}],"predecessor-version":[{"id":7887,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/posts\/4209\/revisions\/7887"}],"wp:attachment":[{"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/media?parent=4209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/categories?post=4209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/desamorces.org\/index.php\/wp-json\/wp\/v2\/tags?post=4209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}